The Overburden: Geology, Extraction and Metamorphosis in a Chaotic Age catalogue is designed by Keiko Lee-Hem, produced by Hall Printing, and features an essay by exhibition co-curator Genevieve Robertson.
Dissonance Studies, Keith Langergraber, dimensions variable; kit bashed models, 3D printing, spray foam, wood, crystals and acrylic paint; 2021; photo: Thomas Nowaczynski
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Dissonance Studies, Keith Langergraber, dimensions variable; kit bashed models, 3D printing, spray foam, wood, crystals and acrylic paint; 2021; photo: Thomas Nowaczynski
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Dissonance Studies, Keith Langergraber, dimensions variable; kit bashed models, 3D printing, spray foam, wood, crystals and acrylic paint; 2021; photo: Thomas Nowaczynski
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Dissonance Studies, Keith Langergraber, dimensions variable; kit bashed models, 3D printing, spray foam, wood, crystals and acrylic paint; 2021; photo: Thomas Nowaczynski
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Dissonance Studies, Keith Langergraber, dimensions variable; kit bashed models, 3D printing, spray foam, wood, crystals and acrylic paint; 2021; photo: Thomas Nowaczynski
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Tusks, Tara Nicholson, dimensions variable, 100 pieces, raku and pit fired porcelain, 2021, photo: Thomas Nowaczynski
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Tusks, Tara Nicholson, dimensions variable, 100 pieces, raku and pit fired porcelain, 2021, photo: Thomas Nowaczynski
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Tusks, Tara Nicholson, dimensions variable, 100 pieces, raku and pit fired porcelain, 2021, photo: Thomas Nowaczynski
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Rock Piece (Ahuriri Edition), Asinnajaq, 4:02 minute digital video, 2015, photo: Thomas Nowaczynski
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Rock Piece (Ahuriri Edition), Asinnajaq, 4:02 minute digital video, 2015, photo: Thomas Nowaczynski
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Mineralogues, Randy Lee Cutler, digital print, 40”x90”, 2018, photo: Thomas Nowaczynski
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MiniMineralogues, Randy Lee Cutler, small take away posters, 11” x 17” each, photo: Thomas Nowaczynski
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MiniMineralogues, Randy Lee Cutler, small take away posters, 11” x 17” each, photo: Thomas Nowaczynski
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Rock Album, Randy Lee Cutler, audio work, 2020, photo: Thomas Nowaczynski
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installation view: Overburden: Geology, Extraction & Metamorphosis in a Chaotic Age, Jun 01-Jul 10, 2021, Oxygen Art Centre, Nelson, BC, photo: Thomas Nowaczynski
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installation view: Overburden: Geology, Extraction & Metamorphosis in a Chaotic Age, Jun 01-Jul 10, 2021, Oxygen Art Centre, Nelson, BC, photo: Thomas Nowaczynski
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installation view: Overburden: Geology, Extraction & Metamorphosis in a Chaotic Age, Jun 01-Jul 10, 2021, Oxygen Art Centre, Nelson, BC, photo: Thomas Nowaczynski
Dome, Tara Nicholson, 1.7m x 2m diameter, cyanotypes and wooden dowels, 2021, photo: Thomas Nowaczynski
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installation shot: Dome and photos, Tara Nicholson, 2021, photo: Thomas Nowaczynski
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detail: Dome, Tara Nicholson, 1.7m x 2m diameter, cyanotypes and wooden dowels, 2021, photo: Thomas Nowaczynski
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Mineralogues, Randy Lee Cutler, 40” x 90”, digital print, 2018, photo: Thomas Nowaczynski
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take-home posters, Randy Lee Cutler, 40” x 90”, digital print, 2018, photo: Thomas Nowaczynski
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Tāłtān for Reclamation 2 with projection on wall, Tsēmā, 1.7m x 1.34m, performance documentation video projection, caribou hide, spray paint, c-clamps, 2” x 4” lumber, 2019, photo: Thomas Nowaczynski
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Tāłtān for Reclamation 2 with projection on wall, Tsēmā, 1.7m x 1.34m, performance documentation video projection, caribou hide, spray paint, c-clamps, 2” x 4” lumber, 2019, photo: Thomas Nowaczynski
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detail: Tāłtān for Reclamation 2, Tsēmā, 1.7m x 1.34m, performance documentation video projection, caribou hide, spray paint, c-clamps, 2” x 4” lumber, 2019, photo: Thomas Nowaczynski
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detail: Tāłtān for Reclamation 2, Tsēmā, 1.7m x 1.34m, performance documentation video projection, caribou hide, spray paint, c-clamps, 2” x 4” lumber, 2019, photo: Thomas Nowaczynski
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detail: beartooth star ii, Sarah Nance, 2.24m diameters, quilted mylar, 2021, photo: Thomas Nowaczynski
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detail: beartooth star ii, Sarah Nance, 2.24m diameters, quilted mylar, 2021, photo: Thomas Nowaczynski
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Trilobites Above the Fog, Jim Holyoak & Darren Fleet, 1.11m x 3.4m, ink and lamp black on paper, 2021, photo: Thomas Nowaczynski
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detail: Trilobites Above the Fog, Jim Holyoak & Darren Fleet, ink and lamp black on paper, 2021, photo: Thomas Nowaczynski
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Animal Bridge, Pleistocene Park, Sakha Republic, Russia; Permafrost Tunnel, Melnikov Permafrost Institute, Yakutsk, Russia; and Water Samples, Dam Site, Northeast Science Station, Russia; Tara Nicholson; editioned archival pigment prints; 2019; photo: Thomas Nowaczynski
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Nelson Batholith, Carol Wallace, 1.46m x 1.4m x 1.1m, ink and thread on silk organza, video projection of photomicrographs, 2020, photo: Thomas Nowaczynski
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detail: Nelson Batholith, Carol Wallace, ink and thread on silk organza, video projection of photomicrographs, 2020, photo: Thomas Nowaczynski
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What We Have Left Behind, Gabriela Escobar Ari, aerial and digital photographs, 2019, photo: Thomas Nowaczynski
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installation shot: Overburden exhibition, West Gallery, Kootenay Gallery of Art, 2021, photo: Thomas Nowaczynski
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installation shot: Overburden exhibition, East Gallery - Near Pod, Kootenay Gallery of Art, 2021, photo: Thomas Nowaczynski
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installation shot: Overburden exhibition, East Gallery - Far Pod, Kootenay Gallery of Art, photo: Thomas Nowaczynski
Opening words / from curators Maggie Shirley and Genevieve Robertson
11:00 am – 12:00 pm
Keynote speaker /Patti Bailey
Patti Bailey, qʷn̓qʷin̓x̌n̓ is a member of the Confederated Tribes of the Colville Reservation sn̓ʕay̓čkstx (Sinixt), in Inchelium, Washington and practices traditional and contemporary weaving. The last twenty years of her career were spent working as an Environmental Planner for the Colville Tribal government to develop and implement strategies and cooperative working relationships to deal with decades of impact to river communities, Tribal people, and natural resources from Columbia River pollution sources in Canada. Patti Bailey shares this story through a discussion of downstream toxicity, environmental advocacy through citizen science, and lack of corporate accountability.
Marseille Tidal Gauge Aria / performed by Sarah Nance
Marseille Tidal Gauge Aria is a vocal performance composed from tide level data collected over the past 130 years from a tidal gauge in the bay of Marseille, France. The artist converted each yearly average tide level into a note within her vocal range and set the resulting atonal composition to a poem from Rasu-Yong Tugen’s Songs from the Black Moon. Sarah Nance performs the piece operatically, drawing on the genre’s propensity for magnified human emotion; the rising sea levels in the bay can be heard in the increasingly higher pitches of the aria.
1:00 – 2:30 pm
Writing Workshop /Listening to the Stones with Randy Lee Cutler
This writing workshop with Randy Lee Cutler engages with mineral specimens for the purposes of condensation and displacement. What this means is that we will listen to a collection of geological formations through a series of responses, writing genres and breathing exercises. By collapsing these approaches together, our aim is to connect with deep time, unknowing as well as those informal knowledge practices that might shift our thinking to one of interdependence in a more than human world.
2:45 – 4:30 pm
Comic Workshop /Storytelling Across Deep Time with Jim Holyoak & Darren Fleet
After introductions and a brief presentation, participants will be guided through the process of an ‘856’ writing circle, with an aim of generating spontaneous, free-associative creative writing. Selections of this will be used as material for dialogue and narration within comics, drawn in the second half of the workshop. This drawing segment of the workshop with Jim Holyoak & Darren Fleet will also include stretching, warm-up exercises focusing on mark-making, line weight and techniques for drawing comics. Please come prepared to share, with several sharpened pencils and a pad of paper.
We acknowledge with gratitude that our galleries are located on the unceded traditional territory of the sn̓ʕay̓ckstx Sinixt Arrow Lakes and Yaqan Nukij Lower Kootenay Band peoples in Nelson and the unceded traditional territory of the sn̓ʕay̓ckstx Sinixt Arrow Lakes in Castlegar. We would like to thank the Sinixt, Yaqan Nukiy Ktunaxa, and the many diverse Indigenous and Métis people who live here now for the opportunity to live, work and host cultural experiences within this beautiful watershed.